Using the Practice Analysis Tool for a Competition

Using the Practice Analysis Tool for a Competition

I was very excited to see the Practice Analysis tool added to new SmartMusic this year. With this tool in place, I decided to try something new in preparation for our spring concert. My goal was to find a great way to encourage practicing spring concert repertoire in a short window of time.

Background

My band program has roughly 250 5th and 6th graders from middle-class Upstate South Carolina. I teach only the wind students as we have a separate teacher for percussion studies. Our students have been one-to-one with Dell computers for two years. Most of my students have Wifi at home, and 95% of them were either allowed to take their laptops home every day or have a compatible computer at home they can use.

The Window of Opportunity and a Contest

This year, the wind ensemble performed in Atlanta for a National Adjudicators Invitational event on April 14th, and then we had our concert on April 30th. This resulted in a perfect two-week window of time to attempt to learn one new piece, Sweeney’s arrangement of The Lost Lady Found. To encourage extra effort, I decided to have a contest. Whichever section practiced the most would win a donut celebration on the day after our concert. We’d use SmartMusic’s new Practice Analysis tool to measure practice time and I would divide the total practice time logged by each section by the number of members of that section.

What to Practice?

First, I assigned the toughest parts of the piece to every student and indicated that this was a required test. The test had strict parameters like tempo, use of only the metronome function, and instructions to not submit without achieving a score of 90% or better.

Next, I assigned them the entire piece. For this assignment, I told them to use SmartMusic as a practice and study tool, and allowed them to control all of the aspects of the assignment. Students were asked to not submit this assignment, but to simply use it to practice for the test and the concert. I did learn to make sure that the test was labeled clearly because some students submitted the whole piece instead of the test!

Finally, I assigned every piece from our concert that was available on SmartMusic. Again this assignment was not to be submitted, only practiced. It was at this time that I announced the rules for the contest. In the course of explaining the rules, I let them know that the Practice Analysis tool only tracks the actual time they are playing or recording. It will not just count the time on the website. This is an important detail for the students to know!

Additional Tips

To make sure students made the best use of SmartMusic, I took time to demonstrate specific features. I showed them how to manipulate tempo, turn on the accompaniment parts, metronome, and their own parts. I made sure to coach them on how to play near, but not into the microphone built into their laptops, and showed them how to make the display full screen and zoomed in or out.

In addition, I reminded them that SmartMusic will show note names and fingerings, as well as play pitches for them. While some low brass students couldn’t take home instruments because of size, I encouraged them to take home their mouthpiece and buzz/sing while fingering along with their part. Everyone had the opportunity to practice outside of class as long as they could take a laptop home or had a computer at home.

And They’re Off!

I provided frequent updates during these two weeks to encourage everyone to step up and catch the section that was in the lead. There are always the students who will go above and beyond to make sure their section is competitive, and there are always students who will not participate. This competition was no exception. A few students didn’t even complete the test, which cost them a few letter grades on their spring concert, but, overall this was an extremely successful first attempt!

Download a Free Ebook of Beginning Band Tips!

And the Winner Is…

The winning section was the flutes, at just under 40 minutes. Keep in mind, this isn’t 40 minutes that their folks simply signed off on, during which students sat in their room and stared at the music stand. It doesn’t include time spent tuning or warming up. It’s actual time spent playing concert repertoire, AND it’s an average across the entire section.

Here are the results:

Section Minutes Per Person
Flutes 39.25
Saxes 36.58
Tubas 26.9
Baritones 25.125
Horns 22.5
Trumpets 22.25
Clarinets 21
Trombones 13

The real winner was the ensemble. With something like 2,500 minutes of focused practice, we made great progress in a short amount of time. While there are things I will tweak (low brass was weaker in the concert than I would have liked), this is something I could do much more often. Next time I will play around with the awards that the students can get from the Practice Analysis tool.

One thing is certain, 6th graders will do all kinds of work for a donut.

Jonathan Valentine is the director of bands at Berry Shoals Intermediate School in Duncan, SC. Under his direction, the Berry Shoals 5th and 6th grade bands have earned numerous awards including Superior ratings at state festival and NAI events, were selected as the 2014 feature performer at the South Carolina Music Educators Conference in Charleston, SC, and are a four-time recipients of the Outstanding Performance Award from the state Band Directors Association.

Jonathan also is an assistant director at James F. Byrnes High School where he is in charge of woodwind instruction.

Get the best from SmartMusic

Discover practical music education tips, delivered directly to you!